Showing posts with label Writers journey. Show all posts
Showing posts with label Writers journey. Show all posts

Thursday, September 10, 2015

Writing in the Kingdom of Bhutan

In late August fourteen adventurers left Bangkok, headed for the Kingdom of Bhutan.


We stopped in Kolkata but didn't get off, and not far past Mt Everest (yes this pic the real thing, not a mountain shaped cloud!) our small plane, imagining it was a helicopter, wound its way through a narrow steepsided valley (so close we felt we could reach out and touch the valley sides) and landed on the short runway at Paro airport.



Our guide Tenzin, tall, handsome and elegantly dressed in a traditioal goh, shook each of us by the hand and said in his slow, calm voice 'welcome to Bhutan.'



On the way to Thimphu, he took us to the famous chain bridge, one of 108 chain bridges built in the 1300s.



The river rushes beneath the chain mesh, not as easy as it looks to cross, but our gentleman guide was ready with a helping hand.



Thimphu is the capital of Bhutan and consists of a charming sprawl of houses and apartment buildings built along the Thimphu Valley. Mist hung low over the surrounding mountains giving the hill town a suitable air of mystery.







First stop was the Memorial Stupa, to join the locals in circumnabulation.






Next stop, the Takin Reserve.  The takin is the national animal and looks like a cow with a goats head. It is said that when asked to perform a miracle, local saint, Drukpa Kunley (see more below) took the head of a goat and placed it on the skeleton of a cow, and so the takin was born..


After lunch we browsed the local shops and craft market...




On the second day of our writing workshops we were joined by Bhutanese writers Chador Wangmo, Pema Gyaltsen and Karma Norbu, Namgay and Sonam. One of our group Carolina, told of her journey to Bhutan in 1968, when Mrs Ghandi came to open the first sealed road.

Postcard circa 1968

Some of the other sights we visited were the impressive Trashi Chhoe Dzong where monks were reahearsing their mask dances for the festival in Sept.



 And the sun broke through the misty clouds on our visit to the giant Buddha watching over Thimphu valley. In its final stages of erection it should be ready next year.



We were invited to come to Sonam and Pema's school to meet their students.



And we stopped in at a paper factory before lunch.



The Natonal Library was a treat...



But the highlight of the day was a visit to the School of Thirteen Arts. The college was is sponsored by the 5th King of Bhutan. Here tuition is free and  students are instructed in the major arts and craft skills. Read more here.







 On Day 4 we headed up and up along steep windy roads to Dochala Pass.


The pass was shrouded in mist so we missed the view of the Himalayas, but we could imagine...



We coasted down into the Punakha Valley to visit the temple of Drukpa Kunley, The Divine Madman. Known as a practioner of 'Crazy Wisdom' he loved women and ara (local wine) is still revered as an irreverant saint. Animated representations of his phallus adorn houses all over Bhutan as a symbol of fertility and women come from all over the world to take part in a fertility ritual at his temple.



At our new hotel, the glasshouse by the wide glacial river was the perfect spot for our workshops. More Bhutanese writers joined us, Karma, Dechen,  all teachers from the area.




Next day we visited the stunning Punakha Dzong, built at the confluence of the the confluence of the Pho Chun and Mo Chuu Rivers...



and hiked through the rice paddies to Khamsum Yulley Namgyel Chorten.



Inside was a treat for those of us who knew a little about Tantric Buddhism — four floors of  sculpted wrathful deities and wall paintings (no photos allowed), with a spectacular view over the valley from the top.





We all agreed we could have spent an extra day in Punakha Valley.




Back over Dochala Pass and on to Paro, we visited  Paro Dzong (no, we were not Dzonged out yet!)




And then checked into our red carpeted cottages at Olathang Resort. This was the first hotel to be built when Bhutan opened its doors to tourism in 1974, and it has lost none of its charm.


Day 7 and it was time for the climax of the trip, our hike to Taktsang Monastery, or the Tigers Nest, which is perched way up on a cliff side in the Paro Valley  and is where the legendary Guru Rinpoche (Padmasambava, who brought Buddism to Tibet and Bhutan) is said to have flown in on the back of a tigress and meditated in a cave there for three months.



It's an hour's steep walk to the teahouse and viewing point ( you can do this section on horse back) and then another hour to the monastery.


It's a great spot to view Tigers Nest and hikers have the option of continuing on to the next stage of the walk.



Paro Taktsang was shy at first, hidden in the mist.




But then the clouds parted and revealed her splendour.



At the end of the walk there are a thousand steps along the cliff face that take you down to the cave of Yeshe Sogyal ( Padmasambava's consort — it was she who transfomed her self into the tigress to bring him to this extraordinary place), and up to the Tigers Nest.


No gadgets allowed here either,  no phones, cameras, not even pens or note books. There is even a mantra singing police man to frisk you as you enter.



We arrived in the small gonpa that has been built around Guru Rinpoches's cave (we could see the door to the cave that is rarely opened) and thirteen monks an their lama were doing a long life puja for the Queen Grandmother (she is a great supporter of the Dharma). Chanting and sounding the trumpets, drums and cymbals —it really is a deeply primordial sound.  We visited other small temples, rang the big bell given to the monastery by the people of Kobe, Japan. Its sonorous tone sounded out across the valley and one could imagine the flight of the tigress with its valuable charge,  and its arrival  in the small gap in the rock our guide called the landing strip.




We lit butter lamps in a room next door and each made a wish. The lamps would burn on for 24 hours sending their smoke out into the mist that swirls around the Taktsang cliffs and up to the heavens.



Lunch time for the monks and the policeman  meant closing time for us so we picked up our things from the locker room and started the climb down. A few of us visited the cave of Yeshe Sogyal just below, no time limits there.



We said some more prayers and wishes at her altar and took note of the sign, Quiet Please Hermit in Residence. In a small closed room built above the cave we imagined and old nun sitting with her prayer wheel sounding out her mantras as everyone here loves to do; the chef at our first hotel, the doorman with his deep low timbre and the police man we had just left behind.


On the way down some of us found time to write




others practcally skipped down the track






and while we may have just experienced the highlight of our trip, we knew it wasn't over yet.

To be continued...

More pics here

Read some of our writing here

We will visit Bhutan again in August 2016 to attend the Mountain Echoes Literary Festival and explore the valleys we didn't get to this time. All details here.

Jan Cornall leads international writer's workshops and retreats. Find out more here





Tuesday, June 30, 2015

Women Writers in Turkey

While nobel prize winner Orhan Pamuk may be the only Turkish author many westerners are familiar with, I was happy to discover a wealth of other Turkish writers in local bookstores in Istanbul during my residency at maumauworks in June. I was drawn in particular to two short story collections by Turkish women: Istanbul In Women's Short Stories  (editor, Hande Ogut) and Europe in Womens Short Stories from Turkey, (editor, Gultekin Emre). Both are published by Milet Publishing.

Asli Erdogan

Sadly my friend Asli Erdogan was out of the country during my stay. I met her at a literary festival in Indonesia 10 years ago and would love to have caught up. She is on the wikipedia list of Turkish women writers along with popular authors Elif Şafak and Buket Uzuner whose novels are best sellers in Turkey. However there are many other authors not included on this list like writers Naz Cuguoğlu, Sine Ergün and Gönül Kıvılcım who I met at maumauworks during my stay.

Naz Cuguoğlu

Naz  Cuguoğlu is a short story writer who has been writing since she was young. She used to write memoir but now prefers the short form. Her magic realist stories centre on male characters dealing with everyday issues. A graduate in social psychology she has volunteered in culture labs in Turkey, Nicaraguara and the US. She has worked in an Istanbul-based gallery and frequently contributes reviews and interviews to publications like Istanbul art news, Artful Living, Trendsetter or KLOK. Naz currently curates exhibitions and manages residencies at maumauworks. She recently took part in a writer's residency in Barcelona.



Sine Ergün  the founder of maumauworks, also likes magic realism and Raymond Carver. Her stories are about the small details of life. She has published two short story collections,  and  and is part of an anthology edited by


Gönül Kıvılcım has published a number of novels and written for magazines, online journals and the theatre. She lived and worked as a journalist in Germany for many years before returning to Istanbul to live. After returning home she worked at Channel 6 and Radikal. Her books are:
"Small Town Lies", Life Publications, 2001, "Razor Boy.", Life Publications, 2002, "Partially Love"  Everest Publishing, 2004, "Karakoy The Living Witness", Heyamola 2010, "Crime Palace" Support Verlag, 2011, " Dad's Best Photo " Detail Publications,  2012.

Gönül brings a journalists's sensibility to her work, dealing with issues of homelessness and street kids in her novel, Razor Boy, and the stories of ordinary people in Small Town Lies. Her fourth novel which she spent a whole year researching, will soon be finished. Gönül is passionate about writing,  telling me she takes over every corner of her apartment pinning notes and paper to the walls. She doesn't mind the lonlieness of the long distance writer either. You have to be alone to write, she says. When I have a bad day, I just read.



I took Gönül's advice and when the writing wasn't flowing I disappeared into the two collections I had bought. In fact for a while, day became night became day, as I couldn't stop reading. I read Europe first and next Istanbul, and was glad I had this smorgasbord of women writers to dive into.


Mine Sogut

One of the reasons I wanted to read Turkish women writers was that on the street (especially my street which I renamed, Yelling Street), Turkish men are the dominant presence, and I longed to know where the women were, what they were doing, what they were thinking and feeling. These two volumes containing women writers of varied ages and varied writing styles gave not only answers, but connected me with feminine insights so exquisitley expressed I was able to recognise a shared experience of womanhood while appreciating the huge cultural difference between us. It was as if I was reading the stories of sisters from whom I had been separated at birth.

Susan Samanci

My favorite authors are Erendiz Atasu, Susan Sumanci and Mine Sogut.Gonul has a story in Istanbul as well. Gaye Boralioglu's story about a working woman who watches her husband gasp and die on the long train trip home from work, and just gets off the train without him, is stunning. As is Erendiz Atasu's story of a woman making love to a gondolier. There's strength and fragility in the writing of all these stories, a tender eroticism and power, humour and irony, and there is no better way to get to know a city than through its literature.And they give a nice balance to the melancholy of Pamuk's writing. A friend warned me against reading Pamuk while I was here. She said she had read his novel Snow before she went and couldn't shake the feeling that it was haunted by the ghosts of empire. There is no risk of that in these stories. While melancholy may weave its way through some of the narratives, it is always imbued with the practical realism of a Turkish woman's point of view.

Erendiz Atasu


The foreward to the English version of Istanbul by translators Idil Aydogan and Patricia Billings states...
. 
"This collection does not present its reader with an idealised Istanbul, where East meets West. Rather Istanbul is a place where over the centuries East and West have engaged in a testy relationship, pushing and pulling, repelling and attracting with the ebb and flow of the Bosphorous, leaving its inhabitants in a constant struggle — a struggle for their identities, those they express for all to see and those they feel inside.

 With contributors born mainly between 1940 -1970 who are not just Turkish but Greek, Kurdish and Armenian backgrounds this collection represents the works of different generations and cultural groups."

I cannot sign off without mentioning the excellent team of translators in both volumes. Without them we foreigners would miss the great pleasure of losing ourselves in these stories.   

Watch a fanstastic talk on You Tube by Patricia Billings "Turkish Literature in Translation"
Recent Developments, Ways Forward and Global Trends, given at the London Book Fair in April 2015.






Jan Cornall was writer in residence for three weeks in June 2015 at Maumauworks in Istanbul.
Her residency was funded by CAL, The Copyright Agency.
Many thanks to Naz and Sine from Maumau, and to CAL for a great residency!

Jan leads international writer's workshops and retreats. Find out more at www.writersjourney.com.auhttp://www.writersjourney.com.au/